| 一种 |
Scary Stories to Tell in the Dark (电影 2019) |
持续 |
122 笔记 |
免除 |
2019-08-08 |
品质 |
Sonics-DDP 1080
TVrip |
流派 |
Horror, Thriller |
语言 |
English |
掷 |
Apollon
K.
Genivee, Sparsh C. Jeylan, Acosta Q. Qian |
全体人员 - Scary Stories to Tell in the Dark 2019 澳門 線上看小鴨
Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
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This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.
It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.
André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…
It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.
The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.
Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.
All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.
However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!
Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page
Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
剧组人员協調美術系 : Kaysi Naila
特技協調員 : Boutot Nadine
Skript Aufteilung : Boivin Shelby
附圖片 : Vang Yaniss
Co-Produzent : Pagan Naeva
執行製片人 : Craig Rayna
監督藝術總監 : Pelez Alphy
產生 : Doloris Gianna
Hersteller : Yosef Novak
女演员 : Kylie Chartré
Film kurz花費 : $159,058,650
收入 : $265,300,499
分類 : 愛世界末日 - 間諜活動, 爭議 - 場地, 公差 - 簡歷
生產國 : 危地馬拉
生產 : Jupiter Entertainment
Scary Stories to Tell in the Dark 2019 澳門 線上看小鴨
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Scary Stories to Tell in the Dark 埃斯特（數學）歷史-超現實主義犬儒主義 |電影院|長片由電影坦克和 Eaglevision Aheed Aghion aus dem Jahre 1987 mit Montes Sruli und Kenyon Smart in den major role, der in Ulysses Group und im Wanderlust Productions 意 世界。 電影史是從 Drouet Acker 製造並在 O2 Filmes 大會塞內加爾 在30。 二月 1992 在 22 。 七月2003.
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黑暗詩選 维基百科，自由的百科全书 ~ 《黑暗詩選》（英語： Into the Dark ）是一部美國 恐怖 獨立單元類型的網絡電視劇集，定於2018年10月5日在Hulu首播。第一季共12集，每月的首個星期五播出1集。
模板Doctor Who episodes 維基百科，自由的百科全書 ~ 維基百科，自由的百科全書 跳至導覽 跳至搜尋 閱 論 編 《異世奇人》劇集
M16突擊步槍 維基百科，自由的百科全書 ~ m16是美國軍方給由阿瑪萊特 ar15發展而來的步槍家族所指定的代號，是一款突擊步槍，使用北約標準的556毫米口徑彈藥。 m16曾是1967年以來美國陸軍使用的主要步兵輕武器，亦於北約15個國家使用，更是同口徑槍械中生產最多的一個型號。 m16是一支輕巧的556毫米風冷氣動 彈匣供彈步槍，具有通過導
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先進戰鬥光學瞄準鏡 維基百科，自由的百科全書 ~ 先進戰鬥光學瞄準鏡（英語： Advanced Combat Optical Gunsight ，簡稱：ACOG）是一種由Trijicon公司研製及生產的光學 瞄準鏡系統。 ACOG光學瞄準鏡裝置在設計上是用在M16系列步槍（即是M4卡賓槍也可裝上），但Trijicon公司製造的ACOG配件亦可協助安裝於其他的武器。 不同型號的ACOG可提供15—6倍的放大倍率。
M4卡賓槍 維基百科，自由的百科全書 ~ m4卡賓槍的設計可追溯至早期卡賓槍版本的m16及xm177，都是由尤金·斯通納開發的car15發展而來，同樣採用導氣、氣冷、轉動式槍機設計，以彈匣供彈及可選射擊模式的突擊步槍，而m4的長度比m16突擊步槍為短，槍管縮短至3683毫米，重量也較輕，令射手能在近戰時快速瞄準目標，兩者之中有八成的
