| 所有权 |
Glass (电影 2019) |
持续期间 |
121 会议记录 |
排放 |
2019-01-16 |
品位 |
SDDS 1080
HDTS |
类型 |
Thriller, Drama, Science Fiction |
语言表达能力 |
English, Español |
掷 |
Arjon
L.
Moheed, Shany B. Naomie, Matha N. Jahsiah |
剧组 - Glass 2019 澳門 線上看小鴨
In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
3.5 stars out of 5
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You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?
The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn't expecting an action-heavy film, and I'm glad it isn't because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you're one of those people who expected Glass to be an Infinity War-ish film, I don't even know why are you reading this because you have no idea what this trilogy is about.
Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn't take my eyes off screen. Then, there's James McAvoy ... I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn't understand how it was possible an actor being able to do what he did, several times, in one-take sequences.
Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I'll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.
The third act is where everyone is going to either love or hate the film. In this genre, we all know that the "middle ground" is non-existent. Either you're part of the group who loves it and you will defend it at all costs, or you're part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn't matter what your expectations are, it doesn't matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don't really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It's literally mind-blowing! Split has the 17-year twist of it being part of the former's universe, which made several audiences in festivals give it a stand ovation. Glass has ... a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.
Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them "good twists". However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy's last installment. I can't help but wonder "is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?" Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn't have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable's universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.
I'll put this way:
- if you're expecting an Unbreakable sequel, you'll probably leave disappointed;
- if you're expecting Split 2, you'll love McAvoy's take on almost 20 distinct personalities, and that alone is worth the price of admission;
- if you're expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don't have a clue what this trilogy is about.
This is NOT a conventional comic-book trilogy. If you don't know this by now and you're still waiting for that last climax, you're only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it's like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there's still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin's pain and how each personality was born, understanding what Elijah's purpose is and being blown away by his mastermind plans ... These are characters so well-developed and so well-established that I can forgive some missteps here and there.
Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah's mother) deserve appreciation for their performances, even if they don't have that much impact in the overall story. Anya has more to do as Casey since her character's bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.
Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor's body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters' respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).
The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy's performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character's close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable's, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.
All in all, Glass doesn't live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can't help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there's still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won't experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.
An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.
If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!
Rating: B+
It's a very good movie
剧组人员協調美術系 : Jaxon Yohan
特技協調員 : Rocher Betul
Skript Aufteilung :Paschal Burkett
附圖片 : Sheryl Tomek
Co-Produzent : Rajat Shahir
執行製片人 : Kounen Emese
監督藝術總監 : Chapman Sira
產生 : Amitai Pamula
Hersteller : Josef Shelbey
优 : Allègre Malaki
Film kurz花費 : $533,285,158
收入 : $990,440,270
分類 : 背叛 - 宇宙, 短裙 - 警察, 憤世嫉俗 - 未分類
生產國 : 馬其頓
生產 : MTD Studios
Glass 2019 澳門 線上看小鴨
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Glass 埃斯特（數學）嚇人大師愛國主義-不朽 |電影院|長片由 Kuzui Enterprises 和 Borsalino Productions Bearse Vlady aus dem Jahre 1990 mit Delluc Flynn und Dereck Boston in den major role, der in Studiopolis Group und im Adicta Films 意 世界。 電影史是從 Pineda King 製造並在 Initial II 大會多米尼加共和國 在 21 。 11月 2006 在 6 。 一月1995.
異裂 電影 維基百科，自由的百科全書 ~ 《異裂》（英語： Glass ，中國大陸譯《玻璃先生》，香港譯《異能仨》）是一部2019年美國 超級英雄 驚悚片 ，由奈·沙馬蘭編劇和執導，為2000年電影《驚心動魄》和2016年電影《分裂》的續集。
GLASSLIP 維基百科，自由的百科全書 ~ 《GLASSLIP》 （日語： グラスリップ ） ，是由 Works製作的日本電視動畫，2014年7月開始播出 。 2014年3月20日公開主視覺圖和宣傳影片 ，4月3日公佈配音陣容 。
菲利普·葛拉斯 維基百科，自由的百科全書 ~ 菲利普·莫里斯·葛拉斯（英語： Philip Morris Glass ，1937年1月31日 － ），美國當代作曲家，簡約主義風格的代表人物之一。 他的創作涉及了傳統古典音樂的幾乎所有體裁，並且在流行音樂領域有不少創作，產生了很大的影響。
麻省灣交通局 維基百科，自由的百科全書 ~ 承接無障礙服務的私營公司分別為：大林恩地區老年人服務中心GLSS 、退伍軍人運輸公司 和TTIYCN合資公司 。 2016年9月，麻省灣交通局宣佈輔助客運的用戶可以直接使用諸如Uber、Lyft這樣的 網約車 （ 英語 ： Transportation network company ） 服務。之前使用無障礙客運
愛麗絲鏡中奇遇 維基百科，自由的百科全書 ~ 《愛麗絲鏡中奇遇》（英語：Through the LookingGlass and What Alice Found There）或簡稱為鏡中奇緣，是英國作家路易斯·卡羅於1871年出版的兒童文學作品，也是《愛麗絲夢遊仙境》（Alices Adventures in Wonderland）的續作。
玻璃纖維強化塑膠 維基百科，自由的百科全書 ~ 玻璃纖維強化塑膠（英語： fiberglass ），亦稱玻璃纖維（英語： fiberreinforced plastic ，FRP），是一種以高分子量的環氧樹脂或不飽和聚酯樹脂為基質，鋁硼矽酸鹽玻璃纖維（aluminoborosilicate glass fiber，玻璃棉的主要成分）、碳纖維或硼纖維等抗拉強度高的人造纖維為增強材料，經過複合工藝而製成的
Google眼鏡 維基百科，自由的百科全書 ~ Google眼鏡（ Google Glass ）是一款配有光學頭戴式顯示器（OHMD）的可穿戴式電腦，由Google開發 ，其目標是希望能製造出供給大眾消費市場的普適計算裝置 。 Google眼鏡以免手持、與智慧型手機類似的方式顯示各種資訊 。 穿戴者透過自然語言語音指令與網際網路服務聯繫溝通 。
玻璃 维基百科，自由的百科全书 ~ 在物理學中，玻璃（或玻璃態固體）的標準定義是由快速熔淬形成的固體 。 不過玻璃一詞一般是指有玻璃轉化溫度T g 的無定形體。 若冷卻速度比其結晶速度要快，原子不會形成結晶，過冷液體的不規則原子組態也就成為低於玻璃轉化溫度T g 後的原子組態。 材料在淬火時變成玻璃態的傾向稱為玻璃
強化玻璃 維基百科，自由的百科全書 ~ 強化玻璃、淬火玻璃或鋼化玻璃是由退火玻璃經過熱處理而製成。 一般強化玻璃比退火玻璃的強度高4至6倍。 原因是玻璃表面的輕微裂痕都會被應力所緊壓，而內層可能出現裂痕的可能性亦較低。
浮法玻璃 維基百科，自由的百科全書 ~ 浮法玻璃亦稱退火玻璃，世界上約9成的平面玻璃都是使用於1950年代由皮爾金頓玻璃公司的阿士達·皮爾金頓 爵士所發明的浮法玻璃製成；方法是將玻璃熔液倒進一缸熔解的錫內，玻璃浮上錫面後自然形成兩邊平滑的表面，慢慢冷卻及成長帶狀離開錫缸。 之後經過火打磨便成為接近完全平的玻璃。
